Boundary Sensitivity Emerges as a Core Value in the Content Industry
Balance and Meticulousness Are Essential for Leading the Next K
The new year has begun. While the sun moves ceaselessly, humans design boundaries in time, turning them into meaningful segments. Through these boundaries, we look forward to becoming a slightly changed and improved version of ourselves compared to 'who we were last year.' This is a time-honored survival skill to avoid being trapped in the past.
Boundaries are crucial not only in life but also in industry. The identity and scope of an industry are not fixed or naturally formed; rather, they are strategically created through constant reinterpretation and, at times, struggle over boundaries. Sometimes, dismantling boundaries is necessary. The content industry is no exception.
The news early this year that "K-Pop Demon Hunters" won two Golden Globe awards not only highlights the achievement of this work, which has been recognized as part of the mainstream in the global content market, but also suggests important 'boundary' strategies that K-content should pursue.
First, the competitiveness of content now depends on how creatively it crosses boundaries. K-Pop Demon Hunters boldly traversed the boundaries between animation and music, between superhero genres and shamanism, and between the modern and the past, creating a unique story and new forms of entertainment. Whereas previous content boundaries were largely about drawing exclusive lines around specific domains, the new boundaries are more about strategically breaking down lines to expand scope by merging different areas.
Second, it is necessary to break down the boundary between local and global through emotional resonance. The unique Korean context of eating gimbap and ramen while sitting on the floor under the sofa after a tiring day was made relatable to global audiences, which became the driving force behind the worldwide enthusiasm for K-Pop Demon Hunters. Careful translation, editing, and direction that allow global users to naturally embrace the unique emotions embedded in K-content are becoming increasingly important.
Third, the perspective on content intellectual property (IP) should be expanded beyond mere legal rights to serve as a means of building diverse relationships with users and fandoms. The power of IP is realized when users can enjoy and participate in the content universe in various forms. The way K-Pop Demon Hunters is being reproduced by fans and expanding into secondary and tertiary businesses such as merchandise, performances, and theme parks demonstrates how these expanded boundaries can be directly linked to revenue. IP that is not utilized holds little value.
The Korea Creative Content Agency has identified "boundary sensitivity" as one of the core keywords for the content industry in 2026. This refers to the ability to detect differences at the boundaries where different domains meet, and to creatively and strategically leverage or integrate those differences. The ability to translate tradition into a modern sensibility, to synthesize local identity with global conventions, and to find the essence of creative value and responsibility amid the coexistence of humans and artificial intelligence (AI)-these are the most important areas of boundary sensitivity in content creation for 2026.
The secret to the success of K-content is often attributed to its "hybridity." It is sometimes compared to "bibimbap," which creates new flavors by combining different ingredients. Rather than simply mixing different domains, it is the sense of creating new meaning by crossing boundaries and the careful balance maintained in that process that constitute the competitiveness of K-content and serve as the driving force for the next leap of "Next K" into the global mainstream.
There is also another meaning to boundaries: to observe carefully. Boundary sensitivity, which involves meticulously observing what must be preserved while crossing the boundaries of time, space, and technology, will be the true strength of K-content in winning the hearts of people around the world with a blend of familiarity and unique novelty.
Song Jin, Director of the Content Industry Policy Research Center at the Korea Creative Content Agency
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