Korean Film Archive Publishes Critical Anthology Compiling Primary Sources
From Censorship Documents to Unreleased Photographs
On January 6, the Korean Film Archive published the critical anthology "Yu Hyunmok: The Cineaste" to commemorate the 100th anniversary of director Yu Hyunmok's (1925-2009) birth. More than just a biography, this archival critique reconstructs the true face of the master through primary sources such as censorship documents and handwritten storyboards.
The book reconstructs the director's world through two pillars: "Magnum Opus" and "Opera Neglecta." Part One examines "Obaltan," a landmark in Korean film history, under a microscope. It traces the scars left by severe censorship in the review documents and provides an empirical analysis of the director's aesthetic struggle to preserve his vision despite such challenges.
Part Two turns its gaze to lesser-known territories, highlighting historical dramas, comedies, and government-commissioned films that are not widely recognized by the public. It reevaluates Yu Hyunmok's intense struggles and genre experimentation as he had to survive as a "professional director" within the harsh Chungmuro system.
The book supplements the aesthetics that cannot be explained in text with images. It includes stills and previously unreleased on-set photos from all forty-two of Yu Hyunmok's works, from his debut "Crossroads" to his final film "Sea Anemone," thereby enhancing its archival value. The Korean Film Archive stated, "By combining fragmented records with critical analysis, we have set a new milestone in Yu Hyunmok studies."
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