본문 바로가기
bar_progress

글자크기 설정

닫기

Lee Chang-dong hopes "Poetry" will instill dreams


"Did you go easy on me on purpose because you didn't want me to have a tough time?" "Do I look like I'm that nice of a guy?" This was the dialogue between the main star and director of film "Poetry" as seen in video containing behind-the-scenes footage revealed at a press conference on April 14. And the two were none other than Yoon Jung-hee, who had been in a 15-year hiatus after having appeared in over 300 films during 40 years of her career and director Lee Chang-dong, who has made Korean film history starting from "Green Fish" to "Secret Sunshine." Below are excerpts from the press conference held at a CJ CGV theater emceed by actor Ahn Nae-sang.


Q: How did you come about making "Poetry"?
Lee Chang-dong: "Poetry" was both a challenge and experiment for me, as was any other movie that I've worked on in the past. I wondered how well I would be able to pull off the challenge this time. And I wanted to share the meaningful and beautiful things that we don't see with our eyes but have been disappearing due to the social conditions of the times. That's why I decided to present my audience with a film with such a title, story and main character.
Ahn Nae-sang: The director doesn't seem to have been too concerned with the film's commercial success. (laugh) But don't you still think it'll do okay?
Lee: I've received that sort of question everytime I make a film. When I did "Oasis," someone asked me if I thought anyone would go all the way to a theater to watch a film about the disabled. I make movies because of my desire to communicate with the audience. That is what films should be about -- it's not just a medium of communication for people who understand each other. I want to be able to meet and communicate with the general mass. I have faith that I will be able to do so if I succeed in delivering the truth.

10: What are you referring to when you say challenge?
Lee: Those who watch my film may say there hasn't been much change [to my work] but I thought I was taking on a big challenge this time. I wanted to come in touch with the audience but in a difficult and unfamiliar way, rather than make it happen too easily. That's why I wanted to set up many obstacles between myself and them and then embrace those who overcome them and run through the finish line. And that's how I wanted this film to come off as too. That's why this film is a new type of movie. A lot of films are increasingly focusing more on providing more fun and stimulus but I wanted "Poetry" to stimulate without any particular form of stimulus.


Q: The film doesn't seem to be as dark as your previous works.
Lee: I personally had thought my other works weren't that dark either. (laugh) I don't know about the film being dark or not but those who have already seen the movie say it's less uncomfortable to watch than my previous works.

Q: The movie is about a a novelist-turned-filmmaker who writes poetry. What meaning do novels, films and poetry have to you?
Lee: They're the same fundamentally. I want to look at the world through what I have within me, and communicate with the public mass through that. Of all the topics, the reason I chose "Poetry" was because it was the easiest and most approachable topic. I think it's easy to live without poetry and easy to forget about it once you graduate from school. But you still need it. It's something that can bring out things you can't see with your eyes, such as the beauty or meaning of life. So in that sense, novels, music and films are all the same. Of course there are films which provide entertainment but there are also those that don't. I wanted to ask the audience what they think the meaning is to it.


Q: The movie is about a woman called Mija. What sort of woman is she?
Lee: I'm sorry that I can't fully explain to you who she is since there are things I shouldn't disclose until the movie comes out, but she is like the Yoon sitting next to me right now. She is a legendary actress, the wife of a world-renowned musician, and an actress who gave up everything she had to support her husband for many years. In a way, it may seem like she lives a great life but on the inside, there may be a part to her that doesn't differentiate her from any other average woman in her 60s who lives in an apartment somewhere in Seoul. The movie is about such a woman reflecting on her life and about the choices she makes.


Q: How did you cast Yoon Jung-hee for the film?
Lee: I didn't know her that well on a personal level, but you'd have to have been living on another planet if you're in my generation and don't know her. That's why although she didn't know me, I thought I knew her well, and very naturally I thought she should be the main character. Even before I started writing the scenario, I told her about the film while thinking that she would be the main character. Her real name is Mija but I felt that the main character's name should also be Mija while I was writing the scenario. It's a common name but there's the Chinese character for 'beauty' in it, so as old-fashioned as it sounds, it's also as beautiful.
Yoon: I too cry easily and admire at the smallest things. Even my husband said she's similar to me while we read the scenario. That's why I was less worried about the acting itself but it was difficult to break free from my old ways of acting. I've been in so many movies but it was quite difficult acting for "Poetry." So much that for the first time in my life, I even practiced in front of my husband. But my husband said, "Could you try being more natural?" which is exactly what director Lee said. (laugh)
Lee: Yoon is a very simple person and she has wrinkles on her face now but she has not aged on the inside at all. Mija is a woman who will be overcome with emotions when she sees the moon in the night sky, despite having seen it for 60 years, and forgets about reality at times.


Q: Did you not feel any burden in casting Yoon who has been in a 15-year hiatus?
Lee: Rather than feeling any burden, I was curious to see how Yoon would react. She had appeared in 300 movies so she had become used her old ways of acting. I'm not saying it's bad -- it's just different from working with someone who has no acting experience. So I was curious to see what she would be like when we clash, but once I actually started working with her, I found out she was very open-minded. Even young actresses resist from having to break away from what they have originally but she [Yoon] was very good at embracing it.
Yoon: You have no idea how happy and moved I was when Lee told me he had started writing a scenario with me in mind. The scenario wasn't complete but I had much trust in him because I had been watching his work for a long time. And when I finally did receive the scenario, I felt I had never seen such a [great] scenario before. I was very excited while filming.


Q: How was it actually working with him?
Yoon: I thank him. He helped me discover an image of myself that I had really wanted to find. That's why it wasn't easy to pull off the role but I think the chemistry I had with him and the vibe on set was beautiful.
Ahn: Did you not have any problems physically? (laugh) Lee is someone who will keep pushing an actor till they suffer from exhaustion.
Yoon: I live like a girl even though I'm in my sixties. (laugh) The staff kept coming up to me to ask if I wasn't tired but I wasn't worn out at all physically. There was a scene where I play badminton and my arm did hurt because we shot the scene several times but the production company kept saying we should go to the hospital when all I needed was a pain relief patch. (laugh)
Lee: The badminton scene was quite important and we shot it at night so she had to play badminton all night. Even young people get sore if they use their arm like that and it would affect filming. So I was going to have her get a professional massage too but Yoon didn't think it was a big deal at all.


Q: The film industry has changed a lot over the past 15 years. How has the experience been for you?
Yoon: It felt like I met with an old friend. It all came quite naturally to me actually because I had never considered myself as having left the scene. And before, I had never sat in front of a monitor to analyze my own acting but it helped a lot because I could this time. I'm very greedy [when it comes to acting] so I thought a lot about how I could show the best acting possible that I can be satisfied with, so it really wasn't easy.


AD

Q: But you are still beautiful. (laugh) What are the secrets to your beauty?
Yoon: Aren't I just average-looking? (laugh) I even do my own hair at home... But you have take care of your own skin so I look at books and make the make-up I use.


Q: Any final words for the audience?
Yoon: I trust my fans. (laugh) I hope a lot of my fans watch it and others too. I hope people with dreams in particular will watch it.
Lee: I hope people who want to have dreams will watch it too. As well as those who can sympathize with Yoon and the younger generation who are thinking about their dreams.
Ahn: Then we'll be able to break the 10 million mark. (laugh)

Senior Reporter : Kang Myoung-Seok two@
Photographer : Chae ki-won ten@
Editor : Lee Ji-Hye seven@
Editor : Jessica Kim jesskim@
<ⓒ10Asia All rights reserved>


AD
AD

당신이 궁금할 이슈 콘텐츠

AD

맞춤콘텐츠

AD

실시간 핫이슈

AD

놓칠 수 없는 이슈 픽

  • 26.01.0914:18
    "손해 보고도 집못팔까" 걱정 덜어준다…지방 미분양 '환매보증' 첫도입
    "손해 보고도 집못팔까" 걱정 덜어준다…지방 미분양 '환매보증' 첫도입

    정부가 지방 미분양 해소를 위해 수분양자에게 일정 가격으로 되팔 권리를 보장하는 '주택환매 보증제(가칭)'를 처음 도입한다. 준공 후 미분양 1가구1주택 특례 가액기준을 6억원에서 7억원으로 상향하고, 인구감소지역 세제 특례와 기업구조조정 부동산투자회사(CR리츠) 지원도 연장한다. 공급 측면에서는 3기 신도시 1만8000가구를 포함해 올해 5만가구 착공에 나선다. 9일 관계부처 합동으로 발표한 '2026년 경제성장전략'에서

  • 26.01.0914:05
    디지털자산 제도화 본격화…스테이블코인·현물 ETF까지 제도권 편입
    디지털자산 제도화 본격화…스테이블코인·현물 ETF까지 제도권 편입

    정부가 스테이블코인 규율체계 마련을 포함한 디지털자산 제도화에 속도를 낸다. 디지털자산 기본법(가상자산 2단계 법안) 입법을 통해 발행·유통·거래 전반을 포괄하는 규제 틀을 마련한다. 또한 디지털자산 현물 상장지수펀드(ETF) 도입을 추진할 계획이다. 재정경제부·금융위원회를 비롯한 관계기관은 9일 오후 '2026 경제성장전략'을 통해 스테이블코인 규율체계 마련 등 디지털자산을 제도화하겠다고 밝혔다. 해당 법안은

  • 26.01.0914:00
    국장 장기투자 촉진 ISA 신설…국부펀드는 20조원 규모로 출범
    국장 장기투자 촉진 ISA 신설…국부펀드는 20조원 규모로 출범

    정부가 국내 장기 주식투자를 유도하기 위해 세제 혜택을 대폭 확대한 생산적 금융 개인종합자산관리계좌(ISA)를 출시한다. 투자 시 납입부터 배당까지 '더블 혜택'을 주는 국민성장펀드·기업성장집합투자기구(BDC) 펀드도 출시한다. 국내외 산업과 자산에 적극적으로 투자해 수익을 창출하는 '한국형 국부펀드'는 20조원 규모로 출범하기로 했다.9일 재정경제부는 이런 내용을 담은 '2026년 경제성장전략'을 발표했다. 정부는 60

  • 26.01.0914:00
    "국장 장기투자 촉진" 세제혜택 늘린 '생산적금융 ISA' 신설
    "국장 장기투자 촉진" 세제혜택 늘린 '생산적금융 ISA' 신설

    생산적 금융을 강조해온 이재명 정부가 국장 장기투자를 촉진하기 위한 '생산적 금융 개인종합투자계좌(ISA)'를 신설한다. 일정소득 이하의 청년을 대상으로 한 '청년형 ISA'는 물론, 비과세 200만원이 적용되는 기존 ISA 대비 세제혜택을 대폭 확대한 '국민성장ISA'도 선보일 예정이다. 재정경제부, 금융위원회를 비롯한 관계부처는 9일 오후 이러한 내용을 포함한 '2026년 경제성장전략'을 공개했다. 생산적 금융 기치 하에 첨단

  • 26.01.0914:00
    7월부터 24시간 외환시장 개방…MSCI선진지수 편입 박차
    7월부터 24시간 외환시장 개방…MSCI선진지수 편입 박차

    정부가 오는 7월부터 외환시장을 24시간 개방해 원화 국제화에 나선다. 역외 원화 결제 시스템을 구축하고 관련 규제를 정비함으로써 한국 증시의 숙원이자 이재명 대통령의 공약인 '모건스탠리캐피털인터내셔널(MSCI) 선진국지수' 편입에 박차를 가한다는 방침이다. 재정경제부·금융위원회를 비롯한 관계 기관은 9일 오후 '2026년 경제성장 전략'을 공개하면서 이러한 내용의 'MSCI 선진국지수 편입을 위한 외환·자본시장 종합

  • 26.01.1609:11
    윤희석 "한동훈 제명돼도 당 위한 활동 계속"
    윤희석 "한동훈 제명돼도 당 위한 활동 계속"

    ■ 방송 : 아시아경제 '소종섭의 시사쇼'(월~금, 오후 4~5시)■ 진행 : 소종섭 정치스페셜리스트 ■ 연출 : 이경도 PD■ 출연 : 윤희석 전 국민의힘 대변인(1월 15일)※ 기사 내용을 인용할 때는 반드시 '소종섭의 시사쇼'를 명기해 주시기 바랍니다. 소종섭 : 전화 인터뷰 응해주셔서 감사합니다. 윤희석 : 감사합니다. 소종섭 : 국민의힘 윤리위원회가 제명 처분을 할 것이라고 예상을 했나요? 윤희석 : 어느 정도는 예상했었죠

  • 26.01.1416:21
    이준석 "한동훈, 고수라면 창당이나 서울시장 무소속 출마 선언할 것"
    이준석 "한동훈, 고수라면 창당이나 서울시장 무소속 출마 선언할 것"

    ■ 방송 : 아시아경제 '소종섭의 시사쇼'(월~금, 오후 4~5시)■ 진행 : 소종섭 정치스페셜리스트 ■ 연출 : 마예나 PD■ 출연 : 이준석 개혁신당 대표(1월 14일) ※ 기사 내용을 인용할 때는 반드시 '소종섭의 시사쇼'를 명기해 주시기 바랍니다. 소종섭 : 여러분 안녕하십니까? 소종섭의 시사쇼 시작하겠습니다. 이준석 개혁신당 대표와 함께 여러 가지 이슈 짚어보도록 하겠습니다. 잘 지내셨죠? 이준석 : 예, 그렇습니다. 소종

  • 26.01.1008:01
    "아내는 연상…원더우먼 같았다" 유산·가난 속에서 함께 버틴 박홍근 의원 '인생 최고의 반석' [배우자 열전]②
    "아내는 연상…원더우먼 같았다" 유산·가난 속에서 함께 버틴 박홍근 의원 '인생 최고의 반석' [배우자 열전]②

    ■ 방송 : 아시아경제 '소종섭의 시사쇼'(월~금, 오후 4~5시)■ 진행 : 소종섭 정치스페셜리스트 ■ 연출 : 박수민 PD편집자주6·3 지방선거의 해가 열렸다. 여야 후보자들의 출마가 이어지고 있다. 후보자들이 누구인지, 어떤 정책을 내세우는지와 함께 배우자는 어떤 인물인가에 대한 관심도 커지고 있다. '소종섭의 시사쇼'는 출마(또는 출마 예상) 후보자 배우자에 대해 알아보는 '배우자 열전'을 시작한다. ①문혜정(정원오

  • 26.01.0808:49
    동갑내기 캠퍼스 커플…"예뻐보이더라" 정원오, 배우자 문혜정 첫 인상[배우자 열전]①
    동갑내기 캠퍼스 커플…"예뻐보이더라" 정원오, 배우자 문혜정 첫 인상[배우자 열전]①

    ■ 방송 : 아시아경제 '소종섭의 시사쇼'(월~금·오후 4~5시)■ 진행 : 소종섭 정치스페셜리스트 ■ 연출 : 마예나 PD편집자주6·3 지방선거의 해가 열렸다. 여야 후보자들의 출마가 이어지고 있다. 후보자들이 누구인지, 어떤 정책을 내세우는지와 함께 배우자는 어떤 인물인가에 대한 관심도 커지고 있다. '소종섭의 시사쇼'는 출마(또는 출마 예상) 후보자 배우자에 대해 알아보는 '배우자 열전'을 시작한다. ①문혜정(정원오

  • 26.01.0710:25
    장성철 "장동혁, 한동훈 제명 아니면 탈당 권고할 듯"
    장성철 "장동혁, 한동훈 제명 아니면 탈당 권고할 듯"

    ■ 방송 : 아시아경제 '소종섭의 시사쇼'(월~금, 오후 4~5시)■ 진행 : 소종섭 정치스페셜리스트 ■ 연출 : 이경도 PD■ 출연 : 장성철 공론센터 소장(1월 5일) 소종섭 : 어서 오세요. 새해 복 많이 받으세요. 장성철 : 감사합니다. 새해 복 많이 받으세요. 소종섭 : 이 얘기부터 해보죠. 이혜훈 기획예산처 장관 후보자와 관련해서 폭언했다, 보좌진에게 갑질했다, 남편이 부동산 투기를 했다는 등 의혹이 쏟아집니다. 그런데


다양한 채널에서 아시아경제를 만나보세요!

위로가기